Power Play Radio Rantz is pleased to present.

 

Dr. John Performed "You Lie Too Much" Live at Power Play on 8/11/94, In support of his CD "Television" on MCA/GRP Records and his New Book at the time: "Under a Hoodoo Moon: The Life of Dr. John the Night Tripper".

The live video performance of "You Lie Too Much" was directed by John Elkowitz, cameras - Larry Gress, Tom Terreri, & John Elkowitz.

Listen to the Interview here

Original audio recording for "You Lie Too Much" at Power Play Networks - by the late Kevin Ferd in Studio "A" at Power Play. Audio Mix & Post Production - Greg Furgason.

Video Promotion in 1984 was by Jeff Amato at VisAbility and the late Lee Fehr of Radio/Video Music Marketing.
Hail and Farewell Lee and Kevin!

Technical Data: Original audio recording for "You Lie Too Much" at Power Play Networks using Shure SM-57 Mic on the vocal and a matched pair of EV RE-15s on the piano, recording on a Studer A-80 Mk IV through the studio's DDA AMR - 24 audio console. This interview segment was edited and mixed In the Nuendo DAW by Freddy Ortiz at Power Play on 03/24/11.

A Conversation with Nathan Shaffer.

On Dcember 14th, 2010, Greg Furgason of Power Play Networks and the Multi Talented Singer/ Songwriter/ Guitarist Nathan Shaffer, got together on the phone from his home studio in LA.
Nathan recalls how “Come Back America” came about, his first Guitar, his outlook on a wide range of musical and political issues. He is a modern rocker with all the best of classic rock elements.
TRT: 18:20

Listen to the Interview here

 

Show 101,  Barbara A. Todish Flying In Place provides  communication services to enable you to become an anonymous revolutionary. Then when you have learned  and embraced the discipline of vulnerable self and other communication skills you can determine for yourself  what  your unique revolution will be. In the alternative do you really want to remain a VIRTUAL human being, settling for drama and ego, schedules and distractions, micro to macro management  taking the place of your unique humanity? Call 973 484-1023 to register.

Listen to Barbara Todish here

New! - Show 102, Barbara A. Todish of  FlyingInPlace.com, reflects on the disaster in Haiti and with freedom from cultural identity we have so much more energy to devote to our newly emerged unique passions that are authentic These are authentic universally substantive passions that we can master. Call 973-484 -1023 to register.

Listen to Barbara Todish Show 102 here

New! - Show 103, Barbara A. Todish of  FlyingInPlace.com Your unique life project will be able to emerge once you see that all your social roles, and identities have been distracting you from the UNIQUE you. The EMERGENCE OF our unique priorities will enable us to have enhanced energy, health so that our immune system will be optimal. Since I have emerged into my own universal humanity my patience has expanded exponentially so that what formerly frustrated me I now can appreciate as an opportunity. Call 973-484 -1023 to register.

Listen to Barbara Todish Show 103 here

 

LIVAN has developed a provocative sound reminiscent of Nine Inch Nails and the tougher side of Bowie – but as this fiercely-independent auteur is indebted to nobody but himself, consider those comparisons as points of reference only. “Happy Returns”, his latest single, is a tale of psychic destabilization and loss of control, and LIVAN performs it with rare energy, commitment, and abandon that makes the content utterly believable.

Listen To Livan Here

Metric Perhaps what's most inspiring about the Metric story is that they've done it all themselves. As was recently reported in a New York Times article about the band's unconventional success story, the Toronto quartet turned down several lucrative recording contracts from majors, determined to bring their music directly to the fans. Back home in Canada, they've become one of the first truly-independent bands to earn a nomination for the prestigious Polaris Award.

Listen to Metric here

Cazals create music by using guitar-driven tracks—rolling along like a train engine-- pressed upon by experimental, free-flowing strains of synths, New Order-style. The synths weave in and out, creating finger-snapping beats and giving their tracks a danceable, fun, foot-stomping feel. And the vocals are raspy, sullen, and gritty, adding a dirty, stripped-down, old-fashioned rock n' roll into the tracks.

Listen to Cazals here

Lawson Rollins 's nylon-string guitar playing is often a flash of sonic velocity, a sequined strings of dazzling tones, a collision of influences, a sophisticate's sugar rush. "The Fire Cadenza" is all of these things. But speed isn't his only game, and he isn't limited to Spanish classical techniques: on his albums (and he's released many), he seamlessly integrates elements from disparate musical traditions.

Listen to Lawson Rollins here

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